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Charles Pulliam-Moore
There is no ethical consumption of HBO’s Harry Potter series
Charles Pulliam-Moore
The Verge
Webtoon is adding AI localization tools to its comics platform
Charles Pulliam-Moore
The Verge
Disney’s big bets on the metaverse and AI slop aren’t going so well
Charles Pulliam-Moore
The Verge
The gen AI Kool-Aid tastes like eugenics
Charles Pulliam-Moore
The Verge
Tubi and TikTok are partnering to produce long form series
Charles Pulliam-Moore
The Verge
The hits keep coming in Spider-Man: Brand New Day’s first trailer
Charles Pulliam-Moore
The Verge
The messiah rises in Dune: Part Three’s new trailer
Charles Pulliam-Moore
The Verge
Prediction markets want the Oscars to be your gateway drug to betting on everything
Charles Pulliam-Moore
The Verge
Bespoke AI models are the next big thing in filmmaking
Charles Pulliam-Moore
The Verge
A live-action Samurai Champloo is in the works
Charles Pulliam-Moore
The Verge
Pokopia Pokédex review: a classic, reimagined
Charles Pulliam-Moore
The Verge
The AI Doc is an overwrought hype piece for doomers and accelerationists alike
Charles Pulliam-Moore
The Verge
Netflix is buying Ben Affleck’s AI startup
Charles Pulliam-Moore
The Verge
We played Pokémon Pokopia, ask us anything
Charles Pulliam-Moore
The Verge
HBO Max and Paramount Plus could become one streamer
Charles Pulliam-Moore
The Verge
Pokémon Pokopia is an expansive adventure disguised as a cozy life sim
Charles Pulliam-Moore
The Verge
Pokémon Winds and Waves launch on the Switch 2 in 2027
Charles Pulliam-Moore
The Verge
Seedance 2.0 might be gen AI video’s next big hope, but it’s still slop
Charles Pulliam-Moore
The Verge
Nintendo’s next big Pokémon presentation is on February 27th
Charles Pulliam-Moore
The Verge
The Pitt has a sharp take on AI
Charles Pulliam-Moore
The Verge
Apple TV’s The Hunt finally has a premiere date
Charles Pulliam-Moore
The Verge
Good Luck, Have Fun, Don’t Die is a rollicking parable about this moment in tech
Charles Pulliam-Moore
The Verge
Spider-Noir looks like a hard-boiled thriller in first trailer
Charles Pulliam-Moore
The Verge
Pokopia turns the Pokémon world into a relaxing, human-free paradise
Charles Pulliam-Moore
The Verge
An Ark showed me augmented reality’s true artistic potential
Charles Pulliam-Moore
The Verge
AI-generated ads dropped the ball at this year’s Super Bowl
Jess Weatherbed
Charles Pulliam-Moore
The Verge
Nintendo’s new Virtual Boy is more fun to look at than to play
Charles Pulliam-Moore
The Verge
Send Help is an ode to every worker who has had a bad boss
Charles Pulliam-Moore
The Verge
Tattle TV has turned a Hitchcock classic into a vertical video ‘microdrama’
Charles Pulliam-Moore
The Verge
As Marvel pivots back to the Avengers, Wonder Man goes its own way
Charles Pulliam-Moore
The Verge
Adobe is developing ‘IP-safe’ gen AI models for the entertainment industry
Charles Pulliam-Moore
The Verge
Netflix’s Star Search will let you vote to decide who wins
Charles Pulliam-Moore
The Verge
All You Need Is Kill is a dazzling movie with the soul of a video game
Charles Pulliam-Moore
The Verge
Ted Sarandos says Netflix will commit to 45-day theatrical releases
Charles Pulliam-Moore
The Verge
Pijama wants to bring more indie films to a global audience
Charles Pulliam-Moore
The Verge
Game of Thrones shows its playful side in A Knight of the Seven Kingdoms
Charles Pulliam-Moore
The Verge
The Bone Temple turns 28 Years Later into a terrifying crisis of faith
Charles Pulliam-Moore
The Verge
Marvel won’t let you forget Avengers: Doomsday is coming
Charles Pulliam-Moore
The Verge
A Palworld trading card game is coming this summer
Charles Pulliam-Moore
The Verge
Black Mirror has been renewed for another season
Charles Pulliam-Moore
The Verge
The best shows to watch on HBO Max from 2025
Charles Pulliam-Moore
The Verge
Hollywood cozied up to AI in 2025 and had nothing good to show for it
Charles Pulliam-Moore
The Verge
Warner Bros. Discovery wants its shareholders to reject Paramount’s latest offer
Charles Pulliam-Moore
The Verge
Disclosure Day’s first trailer teases close encounters of a different kind
Charles Pulliam-Moore
The Verge
Avatar: Fire and Ash is a gorgeous spectacle of titanic proportions
Charles Pulliam-Moore
The Verge
Disney wants to drag you into the slop
Charles Pulliam-Moore
The Verge
Supergirl’s first trailer introduces the Woman of Tomorrow
Charles Pulliam-Moore
The Verge
There are no good outcomes for the Warner Bros. sale
Charles Pulliam-Moore
The Verge
Mad Men’s special effects foreman hasn’t seen the infamous 4K remaster
Charles Pulliam-Moore
The Verge
Welcome to the big leagues, Netflix
Charles Pulliam-Moore
The Verge